Creating dhoom in motions of staged frenzy is Himesh Reshammiya without his trademark cap but with so much hair you wonder if it's there to tear after you go through two-and-a-half hours of drama and hysteria in "Karzzz".

As everyone knows, Hello is based on author Chetan Bhagat's bestseller One Night @ The Call Center which is based on the BPO industry.

The movie starts in a different manner unlike others, which depicts the suffering of the hero in his jail tenure in forms of sketches.

Goldie Behl dares to dream. He's back after a seven-year hiatus to let us know that "Bas Itna Sa Khwaab Hai" was not where his 'khwab' (dream) ended.

A comedy of Terrors ? The apt name would be a Terrifying Comedy. That’s what happens when Bollywood tries to mix n match and prepare a concoction which appears more like a sh*t rather than a broth.

Welcome to Shyam Benegal's world of enchanting social comment. Every character in this village of the damned, the doomed and remarkably redeemed is a stereotype.

To be fair, putting together saas-bahu sagas and the sensex seems a good concept, but director Shona Urvashi fails to use it effectively in her film.

The film, ‘The Last Lear’ has a good performance of Amitabh Bachchan who tries to play a man who worked long in Shakespearian Theater and he starts living in the Shakespearian stories only.

Being made as a modern urban love story, Randeep Hooda and Shahana Goswami are the lead characters who are madly in love with each other yet find each other’s attitudes and ways of leading life clashing and creating a rift which they never expected.

If you think Ram Gopal Verma’s Phookh scared you to the core, here is a film which will scare you left, right and centre. Vikram Bhatt’s 1920 is the sole answer to Verma’s Phookh throwing the latter nowhere in terms of horror flicks.