Aap Ka Suroor Movie Review
Cast: Himesh Reshammiya, Mallika Sherawat, Hansika Motwani; Rating: **1/2
There are many reasons to make a film but when the reasons are to explain why Himesh Reshammiya always wears a cap or why he never smiles, then God save us!
Two years ago, Himesh and his childhood friend Prashant Chadha decided to make a video of the smash hit single Aashiq Banaya Aapne, featuring the singer-composer. What followed was an unparalleled success story. Now, we have a film that tries to explain the cult of Himesh Reshammiya aka HR.
Aap Kaa Surroor: The Moviee: The Real Luv Story is about HR, a widely successful rockstar now on the German leg of his world tour. He is a simple God-fearing, non-smiling cap-wearing Indian, who imagines his dream woman in a salwar kameez even though she’s walking up to him in a pink party dress! HR not only hears the Gayatri Mantra every time he comes face to face with Riyaa, he also hums a jazzed up version of it when he realises he’s in love.
In between singing at every occasion and trying to save his izzat from his man-eater manager Ruby (Malika Sherawat), HR manages to get embroiled in the murder of a television reporter. The dead girl’s father (Raj Babbar) is convinced that HR is the killer. So is HR’s prospective father-in-law (Sachin Khedekar).
Now, it’s up to HR to prove his innocence, otherwise Riaa would get married off to someone else.
The film offers nothing except a bad concoction of everything avoidable — bad acting, clich�d dialogues, terrible one-liners and a cute terminally ill kid who smiles her way into our hearts.
The much-talked about Mehbooba song featuring Himesh with Mallika has no connection with the film’s story.
The movie suffers on so many fronts that after some time, you lose the number of problems just like I lost count of the number of caps Himesh sports. He hams his way through the film as if he started acting in the 1980s but finally completed the film 20 years later. Even the songs offer nothing new.
The rest of the cast is passable. Hansika Motwani aka Riaa tries to look cute and manages to successfully employ the same done to death ‘am so cute’ nuances. But I could not understand why she was trying to copy Sushmita Sen!
Raj Babbar has four scenes, two of them featuring him in the same place, watching the same TV report and holding on to the same emotion.
The film seems disjointed and it’s evident that the people behind it just wanted to cash on the Himesh wave. Why else would nicely photographed songs be separated by an inanity trying to masquerade as a script?
The only thing worth remembering in the film was Himesh’s sidekick mentioning commenting: ‘Agar naak cut gayee, toh gana kaise gayega?’ Well, Himesh still has his khatarnak for that.